Apsc Micro43 Full Frame Bokeh Differences – Choosing a camera system in terms of sensor size can be divided into two groups, namely the APS-C camera group and the full frame sensor. If previously the full frame system was a system used by photographers, then for the needs of hobbyists and professionals (semi-pro), the APS-C system is an option. First, full-frame systems and APS-C systems are packaged with DSLR camera formats, and are available for the Canon and Nikon brands. With mirrorless cameras as popular as they are now, it is recorded that only Sony offers two systems in the Alpha line, namely the A7 series for full-frame and A6000 and below for APS-C (although Sony still offers 2 systems for A). . -SLT format too. Meanwhile, Fuji, Canon, and Samsung seem to be comfortable with the APS-C mirrorless format, while in the other groups there are brands that are still consistent with smaller formats such as micro 4/3 or 1 inch.
The question that is often asked by people who are just starting to work in the field of photography or who want to change systems is whether to choose an APS-C system or a full frame system? This choice was based not only on the price of the camera, but also on the better shooting system. The choice must consider many factors, such as lens support (and price), we must be able to predict the long-term direction of camera manufacturers. How complicated is it? more or less..
Apsc Micro43 Full Frame Bokeh Differences
Let’s take Nikon as an example. This camera manufacturer offers a full frame DSLR (FX) category, namely D610, Df, D750, D810 and D4s. At the same time, in the APS-C (DX) line, although there are binary starts (D3300-D5500) and DX semi-pro (D7200), they are no different from the FX line. Also, as production of new types of DX lenses is dwindling, Nikon seems to be making FX lenses more often (of course, FX lenses can be attached to DX bodies, but DX lenses also have the advantage of being smaller and more affordable). From this, it’s natural for many to conclude that Nikon seems to be more concerned with the FX system. But whether it’s true that Nikon actually knows, we can only speculate.
E 35mm F1.8 Oss
Canon DSLR systems seem more balanced, both APS-C and full-frame division lines ready. Note that Canon EF-S lenses (designed for APS-C systems) cannot be mounted on full-frame Canon bodies. And like Nikon, you won’t hear much about Canon coming out with new EF-S lenses unless it’s updating its existing line with STM technology.
When moving to mirrorless, we’re looking at the Sony brand, with a division similar to Nikon, as full-frame systems start to proliferate and products like the first-generation A7 become more accessible. The selection of FE lenses is also starting to increase, though it’s worth noting that FE lenses generally don’t come cheap. Imagine if the price of A7 continues to drop until the price of A7 is slightly different or even the same as APS-C cameras, this race will be even more interesting. For those using a Sony Alpha APS-C mirrorless system (like the A6000 or A5000), if you want to switch to a full-frame Sony Alpha mirrorless, start buying FE lenses (not E). While FE lenses and E lenses are E-mount, E lenses are only designed to be APS-C compliant and crop when mounted on a full frame.
Well, every manufacturer has the right to plan their product strategy going forward, we just have to follow the trend. I noticed that the systems developed by Fuji X, Canon EOS M and Samsung NX do not (yet?) lead to full frame systems. So if we don’t plan to use a full frame system (yet), investing in the three APS-C brands I just mentioned won’t be a problem. Fuji has a wide range of quality products and lenses with APS-C systems, while Samsung is also making headway with the NX-1, which features an impressive APS-C DSLR camera. Samsung is just looking to add a few prime lenses (mostly repair lenses) to the NX line. Read also Part 1 and Part 2 for tips on choosing a mirrorless camera.
This short article is only to introduce the system options for each type and brand. Basically, choosing an APS-C or full frame DSLR, basically both Canon and Nikon are free, because the choice of body has already been made, all you have to do is change the lens. In the mirrorless camp, those looking for a full-frame system can look to Sony, while those looking for APS-C mirrorless can choose from Sony, Fuji, Samsung, or Canon.
Why You Should Consider Abandoning Full Frame And Aps C And Go For Something More Extreme
Anyway, for readers who are still confused about distinguishing APS-C from full frame, basically the difference is in physical scale. Full-frame sensors are larger than APS-C, so a larger diameter lens is also required. The advantages and disadvantages of both systems can be summarized as follows:
For 2015 I made a breakdown diagram for a digital camera that uses an APS-C and FF sensor as your photo. Remember that the beginner, consumer and non-professional (enthusiast) segments are the thickest and each brand has its niche. It’s unclear whether there will be a successor to the D300s, so Nikon is losing ground in the semi-pro APS-C lineup. Also, Sony still doesn’t have a semi-pro APS-C product, and if one could call the A7000 it would be useful for the Samsung NX and Fuji X-T1.
